08/31/2020

A single comment can change a life, or for Giovanna, the adolescent only child of a middle-class Neapolitan couple in the early 1990s and narrator of Ferrante’s sumptuous latest (after The Story of the Lost Child), it can set it in motion. “She’s getting the face of Vittoria,” Giovanna’s father, Andrea, says about her, referring to Giovanna’s estranged aunt Vittoria, whom Andrea disdains and calls ugly. The comment provokes Giovanna into seeking out Vittoria on the other side of Naples, where she finds a beautiful, fiery woman, consumed by bitterness over a lover’s death and resentful of Andrea’s arrogance at having climbed the social ladder. Andrea can’t save Giovanna from Vittoria’s influence, and their relationship will affect those closest to Giovanna as family secrets unravel and disrupt the harmony of her quiet life. Giovanna’s parents’ devastating marital collapse, meanwhile, causes her to be distracted at school and held back a year, and prompts Giovanna into a steely self-awareness as she has her first sexual experiences along a bumpy ride toward adulthood. Themes of class disparity and women’s coming-of-age are at play much as they were in Ferrante’s Neapolitan quartet, but the depictions of inequality serve primarily as a backdrop to Giovanna’s coming-of-age trials that buttress the gripping, plot-heavy tale. While this feels minor in comparison to Ferrante’s previous work, Giovanna is the kind of winning character readers wouldn’t mind seeing more of. (Sept.)